We rich for a full, spacious sound already at the stage of recording. We have a high-quality, primarily analog equipment. Thanks to this, the raw tracks sound great, and the post-production is just a pleasure.
Outboard
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Rane Digital Delay AD22B|
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Personal monitoring Behringer P16 (6)
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iMac 27″
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APS Klassik 2020
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TEAC Model 2A
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Dynacord EQ 200
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Looptrotter SA2RATE
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Stam Audio SA4000
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Klark Teknik KT-76 (2)
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ART Pro VLA II
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Rane Digital Delay AD22B|
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Sansui Reverberation Amplifier
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Roland RE-301



Sound transducers
Condenser microphones:
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Brüel & Kjær 4041 (2)
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Mic&Mod U67 (2)
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AKG C414
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RM BIV1 (2)
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Oktava MK-012 (2)
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Dynamic microphones:
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AKG D12VR
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Audix i5
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Beyerdynamic M500
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Beyerdynamic M88
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Beyerdynamic D70 TG
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Sennheiser MD441
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Sennheiser MD521 (3)
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Sennheiser MD421HL
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Sennheiser E609
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Shure SM57 (3)
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Shure SM7B
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Solomon Subkick
Others:
- Radial DI-BOX stereo (2)
- Klark Teknik DI-BOX (2)
- Palmer PAN-04 stereo (2)
- Triton Fethead Filter (2)
- Geophone DWA-AM
Amplifiers
- Sunn Sonaro (1971)
- Simms-Watts AP100 (1960s)
- Marshall JCM800 Bass Series (1980s)
- Dog Amp (JCM800 copy)
- Orange AD140 (2003)
- Fender Twin Reverb Silverface (1972)
- Orange Micro Terror
Cabinets
- Sunn 4 x10
- Marshall JCM800 Bass Series 1 x18
- Leslie Model 16 (1970s)
- Matamp 215
- Simms-Watts 412 (1960s)
Drum shell set
- Pearl Session Studio Select (2021): 22”, 10”, 12”, 16”
- Tama Imperialstar (1983): 8”, 10”, 12”, 14”, 16”, 22” i 24″
Stompboxes
- Tremond (boosted RAT)
- Big Opiate (Univox Superfuzz)
- Fuxi (Klon Centaur)
- OCOOCOC (optical compressor)
- GT420 (vintage amp distortion)
- Prophet (Octafuzz Foxx Tone Machine)
- FFAS (brutal variation of a fuzz face)
- Quaalude (Sunn Model T preamp/distortion)
- Astronomy Domine Reverb